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What is media literacy today?

Recently I was discussing, with colleagues, the sometimes vexed question of media literacies. In what sense should people be literate today—in what mode, or in what medium? Does literacy in one mode or medium mean you lose literacy in others. For example, do web literate “youth”—and “youth” is a term I don’t like at all because it implies a bunch of people who are all the same—lose their ability to read, or even worse, to concentrate. Is attention now a literacy? There are, today, a series of media panics about literacies, although this probably tells us more about the world at large than literacy per se.

We decided the central question concerning media literacies was variability, but what does this mean? For me, several things perhaps—

This does not mean fixed differences between established media, but ongoing variability in a very dynamic climate. The models that are a crucial part of literacy dynamics, and often the established businesses— newspapers, television channels, are all collapsing or changing dramatically. At the same time lots of new models, businesses, experience frameworks arise of course, although most of these are destined to fail (!). Everything is in constant variation. As Marx had it, famously, all that is solid melts into air: audiences, reception, production processes, narrative, software, business models, communications processes, advertising models etc. It’s very exciting but also pretty scary. All this this perhaps implies the need for a new “metaliteracy” - an ability to adapt. This is the single biggest thing to my mind. Our happier, more successful students have generally been those who’ve got this and gone with it.

This does not mean, however, that you don’t have to develop current literacies. Quite the opposite.

The first move here is acceptance (resistance is futile but surprisingly many students, not to mention staff, desperately resist many aspects of media literacies) and …

The second move is commitment to higher level literacy skills and knowledges over a range of areas. in short, the more you develop multiple literacies, the more you will be able to adapt as they change. It’s a bit like learning languages. One is work but we do it “naturally”. For those of us not growing up in bilingual homes, learning the second is hard work. However, once you’ve got two or three languages down, it’s much easier to adapt to more. Media literacies and knowledges are like that. You need to know how to make a competent video—in short, today you need visual literacy in production as well as in visual analysis—but you still need to know how to read and write text (and edit it, as well as publish in a range of forms!). You need to be able to put a good tweet together, but also be able to talk to a range of people face to face.

A problem: we think we get this. We are all these days used to “choice”—but this means, “if I don’t like doing this, I’ll just do that, etc”. Choice works in our favour—we get to choose. This is to some extent now changing. “Variability” will sometimes mean this, but it will just as often mean the opposite. That is, as above .. you will have to be good at more things that change, that are moving targets, that are demanding, and concerning which you have no choice. You must be more literate in more ways.

It’s about knowledge as well, across a range of areas.. You need to know about complex media set ups these days, but you also need to know about politics, climate change, urban conditions, social policy, the history of ideas, etc … all of these are also highly variable, subject to context. Most of the people (e.g. people like Jon Stewart) who do well these days are people who understand media variability and also, simply put, are broadly literate. They know lots of “stuff” (yes even non-media “stuff”). They can communicate, and work with this “stuff”, across a wide range of situations. So media literacies means more than knowing what the latest video is on YouTube (although this is definitely part of it). All forms of literacy—essay writing, reading, video production etc—are not just “outcomes” .. they need to be established (stage one) so that you get to the interesting stuff—knowing and working with content, real relationships, business, whatever (stage two).

Beyond this points are all the obvious. The media as we know it are changing very dramatically, as is the nature of media work. Perhaps a fair bit of the industry (to be fair, less often media workers, but more often the structures within which media work takes place) still has its head in the sand, or thinks it can self-spin or re-regulate its way out of the problems. Yet that still leaves those with their heads above the sand doing really interesting stuff.

Media Studies is currently caught betwixt and between all this.

The Low Down.

UNSWTV’s The LowDown produced by media students Alex Barnett and Jan Duong with a whole bunch of Media Student talent including Chris Chong, Collette Isaac, Tom Ferguson, and Jeremy Barry.

The Shape of Things

A fun piece from NUTS and a lovely video filmed and edited by media student Julia Dray promoting their current show - go see it.

c/o http://m.twitter.com/juliadray

Our Aims

The Network Literacies Project allows the UNSW community—students and staff—to develop their network literacies. It’s a flexible project—it has to be. Contemporary networks are very dynamic. Tools, techniques and communities change rapidly. At the moment we are very much in development and  are really only ‘open for exploration’ by and for media staff—but we plan to expand this soon if we are able. Indeed, anyone else interested in developing a good network culture and is more than welcome to start a blog and join us.

The NetLit projects main aims concern the people and communities that use networks. We aim to enhance UNSW communities of learning and research by building a community of people sharing techniques to get the most out of networks. We also aim to connect UNSW communities more effectively to the rest of the world—both in the Sciences and what are increasingly called the Digital Humanities.

This site, New South Blogs, is a multi-user blog installation, using WordPress Multi-User (WP-mu). It is the notional centre of what is actually a distributed and largely decentralized project. Those involved also inhabit other networks and use other technologies (such as Twitter, their own blogs, Flickr or YouTube) with varying degrees of connection.

The NetLit project’s activities are a complement to more ‘centralised’ technical platforms (such as WebCT) used at UNSW. Being open platform, often open source, highly flexible (read constantly changing) and in general just very usefully “open”, the NetLit project deals in different aspects of learning and research to more formal platforms: probably less formal aspects but no less effective for that. We think that NetLit ideas and techniques will work best in blended environments of learning and research—centralised and decentralised, formal and informal.

We are grateful to the UNSW IT Investment Plan process, for an initial scoping and seeding grant for this project, in 2008. The project was conceived and developed by Mat Wall-Smith, with assistance from Andrew Murphie, as part of a long series of explorations of network literacies by the staff of the Media Program in The School of English, Media and Performing Arts.

Mat Wall-Smith and Andrew Murphie

Here They Come

There are some terrific introductions and characters coming through into the newsouthblogs aggregation. I thought I’d link through to a couple In order to highlight and answer some interesting points and questions about network literacies and media futures. First of all here is a great introductory post from Jambiental. A much shorter but equally great form Grace Foran. A great post from a Third Year - Raol . Oh - and here is a another one - there are many more but I’ll be here all day if I link to all the great ones. Why are these great introductions?

1) I am getting a good and I think fairly honest post about why these students are interesting. and what they will bring in terms of persepctive and interest. As I said in the lecture I subscribe to people not ’sites’ - so I’m looking for people that I think are going to write about interesting, considered, engaged topics- but who also have an interesting perspective on things.

Jambiental made it into my personal Google Reader account - he sits next to Lawrence Lessig, William Gibson, Howard Rhiengold, and Jim Groom amazing company. It also helps that I’d already met Jambiental over at twitter- so there was already a social link there - I knew a little bit more about who he was…and that he had an interesting perspective.

2) Online you are what you write, so if you write: ‘I dunno what I’m doing or if this stupid thing works, I hate this stuff…’ Am I really going to want to hang out with you? Work with you? Collaborate with you?

3) Both Jambiental, Grace and Raol, strike a good balance in terms of tone: Kind of Smart Casual - Their writing is clear, well edited, but still conversational. They don’t devolve/evolve(?) into txt spk, use a single emoticons (none would be better), do not use odd formatting and do use headings and paragraphs. Some people are better at this than others- but the only way to get good at writing is to write a lot and reflect on that work.

4) This isn’t facebook. It is a publishing platform. Blog posts should probably develop an idea that they link to, and/or they need to stand on their own (be contextualized) in order to function well as a network node rather than what we might call a ’stub’. A stub is a addition to the network that isn’t going to sprout further links. A comment on a blog post that says something like “great I completely agree- nice post” is a stub (the above post has a great example of a comment that is a stub and belongs on the page with the original post). A comment does add something to the network but its better added in the comment field of a blog not as a permalinked post. That way it always has that context to help it make sense. A blog post needs to frame and develop what the post or topic it is responding to.

3) Grace, Jambiental or Raol don’t worry so much about what to post, whether he’ll get it right or wrong,they just write about what interests them. You are media students - we expect you to have a passion for media, to write about sites, stories, media forms, films, networks, technology, 18th century literature, post-structuralist theory, anime, graffiti, locative media……whatever…and to start engaging with it a a deep, more considered level. This is also how you become ‘present’ and ‘visible’ to people who share your interests or who are intrigued by your perspective.

Some posts openly wonder whether they are really experienced or qualified enough to start a ‘professional’ blog (see the next note on metadiscourse). The answer is -in short- ‘Yes you are?’ - If you are waiting for someone to officially induct you into the hallowed halls of professionalism then you’ve got the wrong idea. You will be waiting around while many of your future potential colleagues are just writing/making/networking and becoming more and more visible. Get started, get reflective (work out what works and what doesn’t)..that way you will develop a professional and engaged perspective.

Over here we have a student that is already mo-blogging - that is blogging from a mobile device - there are a whole lost of other ways you could remix/mash-up services and modes of engagement and their is nothing more effective in terms of ‘adding value’ than writing a step-by-step instructable that explains how others can use technology/media or just do ’stuff’ - I hope Brain Drain snaps this opportunity up by developign and contextualizing this post.

4) Jambiental, Grace, or Raol don’t get lost in what I call ‘meta-discourse’. What is ‘metadiscourse’? That is when you start every sentence with something like ‘In this essay I will…..’ this may be a hang-over form our wonderful high-school system - but I still find myself writing ‘In this paper I will explore the…’. So meta-discourse is when we write about writing what we are writing (loopy huh?).

Avoid it in your essays - but also a avoid it on your blogs- particuarly when it is a course exercise. Many student blogs start with ‘A don’t know what we are meant to be writing here?’ The answer is you are just meant to write - I gave a pretty clear list of questions that you might address in your first blog. But see point four if you need more guidance. Think about the fact that you’ll soon be in a course and your lecturers and colleagues want to know a bit about you.

This doesn’t mean you can’t be critical or reflective- Just that you should contextualise that and perhaps aim to initiate a conversation so that rather than stopping the argument or conversation you are extening it - Cazbar has five comments….nice networking. Of course I think she raises some great points and they are all points I want to respond to because she has developed her argument and has a unique perspective. Difference is what makes the network a vital, interesting, and fundamentally interactive and social space…In some sense Cazbar’s post answers itself. There is no way in a pre-networked world I would have read her writing, answered it personally, and be looking forward to engaging with her in the future. The online components in this school don’t replace face to face - in fact they make it easy to link up with a wide variety of people and even perhaps meet for a coffee or another form of beverage - chat, start new projects, have fun, learn from each other.